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IWFF LABS 2018 will be held April 13-20 in Missoula, Montana.

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Deadline is January 15th, 2018!

QUOTES FROM PAST PARTICIPANTS:

THE MISSION

IWFF LABS is an immersive cross-disciplinary science filmmaking workshopbetween scientists media makers.

Advance ideas, tools working methods that address pressing environmental issues through media.

Learn from industry professionals, documentary filmmakers, biologists, ecologists as well as poets, digital storytellers other bold thinkers.

IWFF LABS was created for filmmakers scientists to:

1) Gain intensive hands-on filmmaking experience

2) Learn the science of science communication

3) Get a crash course with pro-grade filmmaking gear

4) Expand professional networks with peers and industry professionals

WHO IS ELIGIBLE TO APPLY?

SCIENTISTS (including graduate students, postdocs, professors, and government researchers), especially those focused on ecology, evolution, biology, wildlife science, and conservation who are interested in science communication using visual media, and want to expand their media making skills or find a filmmaker partner.

PROFESSIONAL COMMUNICATORS in the science or conservation community, including university PIOs, media specialists at NGOs, environmental journalists, and others who have an interest in expanding their science, wildlife, and conservation filmmaking toolkit through collaborations with filmmakers and scientists.

GRADUATE FILMMAKING STUDENTS AND INDEPENDENT FILMMAKERS who want to become science and wildlife filmmakers. These applicants need not have advanced skills with filmmaking equipment, but be must be interested in opportunities to work with scientists and on science/ conservation stories.

IWFF LABS will accept up to 16 students into this highly competitive program.

IWFF LABS is tuition free. Food and Lodging Provided. Scholarships for travel funds will be available.

IWFF LABS participants will receive an All-Access pass to IWFF April 14-22, 2018.

WHAT DO WE DO?

The dayis filled with intense, hands-on workshops taught byexperts using top flight equipment.

At night students and the public will be invited to listen to fireside chats from all-star world experts IWFF 2018 Retrospective Artist Bob Landis and PBS Nature’s Janet Hess.

Students will use skills learned in the workshops to make a mini documentary.

At IWFF LABSstudents are paired with a local conservation or nature organization. During the course of the week students will make a mini-documentary about the issues the local organization is trying to solve. Those issues include land conservation, defending wildlife, nature preservation, etc.

WHO WILL LEAD?

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are key instructors for IWFF LABS. They will lead the group through the workshops and facilitate the creation of the mini docs.

Nathan and Neil have experience facilitating workshops at events such as Science Media Awards Summit In The Hub (SMASH) and immersive graduate field courses in Costa Rica through the Organization for Tropical Studies.

They are both Fellow National members of the Explorers Club and come from a strong background in biology and ecology.

WHEN WHERE?

IWFF LABS will take place at theRoxy Theater and other locations in and around Missoula Montana, April2018

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DEADLINE IS JANUARY 15th!

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All site content ©2006-2018 International Wildlife Film Festival Ltd | Roxy Theater 718 S. Higgins Ave, Missoula, MT 59801

There’s a good chance I’m going into the red for this launch. The cost to print just one hardcover book is $40+ which doesn’t include shipping. Add to that the professional design and editing and I’ll probably go into debt with this project.

But this crowdfunding campaign isn’t the end in and of itself. A lot of people use crowdfunding as a one-off launch opportunity; they want to fund a project and that’s it. For me, I wanted to launch products and services that I could then scale after I built them. Case in point: I’m developing the Collaborate eCourse at the same time I’m writing the book.

This eCourse will retail at $197+ (probably more) when I launch in early 2015 (although you can get it for The Masha Tote Bag Poolside High Quality Cheap Online uN3Yc
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This is one of the reasons I can go into the red for this launch but not worry about it – the products and services I’m delivering on are assets for my digital publishing business.

They’ll continue to create revenue into the future… (or at least as long as collaboration is an increasingly hot topic):

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. A stretch goal is what you offer crowdfunding supporters once you reach certain milestones in your funding.

When I first started thrashing the rewards for Collaborate, I immediately thought of all the cool stretch goals I could incorporate for early adopters.

Things like notebooks, or a special slip cover, or mouse pads… But after brainstorming multiple stretch goals, I realized a couple things:

Most people want your main offer plus some awesome rewards or bonuses. Nobody buys into a crowdfunding campaign for a stretch goal.

Instead of trying to reach a threshold above my minimum funding goal, I wanted to focus on the minimum I needed to make this a reality. Thismeant ignoring stretch goals, at least until I funded my project.

If you want to know why you should include images / infographics in every sales page, Hot Sale Buy Cheap The Cheapest contrast Faye satchel Green Chloé Buy Cheap Pre Order Buy Cheap Nicekicks Shopping 6JJIH
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Bottom line: images / graphics are easier to understand and process and therefore = more supporters = more pre-orders.

Essentially every successfully funded crowdfunding campaign I studied usedan image for their rewards and tiers. There’s no reason to change things up if they seem to be working, so I decided to create an image too.

Below is thecrowdfunding graphic for Collaborate, which I placed in the middle of my sales page. This gave the text a good break and hopefully added some excitement to the purchasing process: Key takeaways for creating a rewards graphic that converts visitors into supporters:

I use the same icons that are present on my cover + the same font (for the headlines) + the same colors. This is consistent with the overall style of my book 2.

Overwhelming is okay (if it keeps peoples attention).

A crowdfunding campaign is not the time or place to create Apple-esque style, minimalist ads. I have a few minutes (if I’m lucky) to educate people on the topic and inspire them to support my campaign.

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